When background music, noises and various effects are organically woven into the video, they are completely invisible and perceived as given. Therefore, few people understand how significant the role sound design plays in making the video effective and effectively impacting the audience. Today, when almost everyone has learned to make a beautiful picture, it is often by the sound that one can judge the quality of a particular video and if you want new song download then you should try quality site.
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How and why should you add music and noise?
On radio, different beats and jingles help to separate one heading from another and to streamline the broadcast structure. In cinema, the scale reflects the emotions of the characters and conveys the desired atmosphere. Action is highlighted with a dynamic rhythm, major and minor keys serve to express certain feelings, silence is often used for semantic accents, etc. For example, most of the story in the opening scene of Dunkirk is told through sound, and the absence of any background music creates anxiety and tension in the viewer. The film won an Oscar for Best Sound Editing.
Advertising has a rule that comes from animation: any action on the screen must be voiced. Any visual effect with additional background or audio information is perceived much more organic and lively than without it.
Therefore, each plate with infographics or captions that creeps out from around the corner should be accompanied by its own sound. These sounds can often work as transitions, gluing scenes together and adding context, telling more about objects in a video, or focusing on important details.
Sound design is something that is often overlooked today, but plays a huge role in creating a unique style and atmosphere in amateur videos for YouTube and blogs. Sound adds a whole new dimension to these videos. Thanks to him, the viewer is better immersed in what is happening on the screen. The video becomes more interesting and atmospheric. Some even find their individuality in creating a unique sound design:
Types of soundtracks in videos
In addition to the speech itself, the videos contain:
1. Music, ambient or sound texture – background that brings mood. For example, pulsation to create suspense (anxious expectation) in a movie. Sometimes just one sound detail can give character and uniqueness to an entire film. For example, for the film Dunkirk, composer Hans Zimmer used a recording of a pocket watch directed by Christopher Nolan. The final mix of ticking with Shepard’s tone – a scale with the illusion of an infinitely rising tone – made it possible to achieve a very tense atmosphere without using music in the usual sense:
2. Special effects: jingles, beats, bass drops and others. The English names of these effects speak for themselves: whooshes and whoosh hits (effects “up” and “boom”), drones (monotonous synthetic hums), booms, hits (various hits), downers, risers (effects of decay and rise) and so on. They are responsible for creating tension and serve to place accents. In trailers, they often mask transitions between shots, scenes and semantic parts.
The special effects and their names are perfectly shown in the advertisements of the respective libraries:
3. Noises. Any movement, step, sigh, hoof stomp, clap of hands – everything that happens on the screen must be voiced. This also often includes the voice acting of text bubbles, infographics and animations. Although these are not natural noises, but rather special effects.
Quentin Tarantino is very scrupulous about the sound design of his cinema, using very natural and juicy sounds. There are a selection of sounds from his films on YouTube that perfectly illustrate this attentiveness:
Processing and automation for noise and effects
The sound effects themselves and their libraries are just raw material to work with. To make it sound in unison with the frame, you need to place all sounds in the appropriate environment. This is done through processing. At the same time, automation – a preprogrammed change in the parameters of this processing. Allows you to get a deeper mix. For example, if a person enters the frame from the left and leaves to the right. Then the sound of steps must be automated: gradually change the balance of the sound track from the left channel to the right.